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Folk on the Tyne - Sage Gateshead 27th July

Hudson Records is hugely excited to have curated our own stage at Folk on the Tyne festival. The festival takes place at Sage Gateshead on 27th July and you can see loads of our artists performing alongside some other great names too. There are folk works workshops and a couple of free concerts in the foyer as well, there might even be a surprise guest set late on!

The Hudson Records Stage features in the afternoon -

Karine Polwart
Hannah Read
M G Boulter
Jack Rutter

In the evening -

The Furrow Collective
Brighde Chaimbeul & Aidan O'Rouke
Jock Tydesley & Vera Van Heeringen

For more information and tickets visit here -


Autumn Colours

Here at Hudson Records we're gearing up for our second birthday celebrations. And what better way to celebrate than with some more from the crew who got the whole thing started.

The Furrow Collective

Having kicked things off with 'Wild Hog' by The Furrow Collective back in 2016, we're now delighted to bring you their new album 'Fathoms', released on the 9th of November and available to pre-order from our shop now. Produced in Powys and Oxfordshire by Hudson's own honorary fifth-Furrow Andy Bell, Fathoms sees the group build further on their substantial reputation for breathing new life into traditional songs.

Karine Polwart

Before this, it is our great pleasure also to draw your attention to the imminent release of the new long-player from Karine Polwart with Steven Polwart and Inge Thompson. Polwart’s seventh release, Laws of Motion is the follow-up to 2017’s much-praised A Pocket of Wind Resistance, which earned Karine & co-writer Pippa Murphy a New Music Scotland Award, alongside nominations for the 2018 Scottish Album Of The Year & Radio 2 Folk Album Of The Year.

A Pocket Of Wind Resistance' used the migratory habits of geese to crack open universally human societal & ecological issues. Across 'Laws of Motion' Polwart continues to coalesce the familial and the familiar alongside the unsettling and the unknown, driven as ever by her gift for empathy and accessibility. Subject matter as disparate as Trump, WW2 & holocaust survivors are drawn together by the laws of the album's title alongside the experiences of migrants and allegorical folk & children's stories. 'Laws Of Motion' was recorded alongside long-term collaborators Inge Thomson (accordion, percussion, synths & vocals) and brother Steven Polwart (guitars & vocals). It is released on 19 October and is available to pre-order from the shop now on CD and vinyl.

Northern Flyway

Inge Thompson has also been collaborating with Jenny Sturgeon and Jason Singh resulting in the magnificent and widely acclaimed Northern Flyway, which was released on Hudson Records in September.

“An album of panache, Northern have done for nature and the birds what Vivaldi did for the seasons” Liverpool Sound & Vision

To accompany their releases both The Karine Polwart Trio and The Furrow Collective will be out on tour this autumn. Check their artist pages for full details.


M G Boulter's Blog

Here's a bit about my new EP, Blood Moon, recorded with The Froe. The first step I suppose is the who. The Froe are a string quartet from Birmingham who I first met through one of their members, Helen Bell. Describing them as a string quartet is doing them an injustice as they play a plethora of instruments, from banjos to harmoniums. Helen wrote the string arrangements for the EP and we worked most of them out in a couple of sessions in the spring of 2017 at Helen’s house. Myself, Helen and violinist, Charlie Wild, sat around with pots of fresh coffee playing parts of the songs over and over again into a myriad of mobile phones.

There were a couple of songs we tried for the EP that didn’t make it past this stage; there was a song called ‘Peter, She Says’ which was my attempt at a story song about a couple trying to save their marriage through a trip to the seaside but it always felt flat to me and I’ve left it to collect dust now. There was also a very early attempt at a song called ‘Southern Gothic’ but again it wasn’t quite ready for recording.

In late August 2017 we entered the cool silence of the Fishermen’s Chapel in Leigh-on-Sea, Essex. Leigh is an historic fishing town about forty miles from London nestled amongst salt marsh and sea lavender in the summer. The Mayflower stopped here on its way to America and close to the chapel, in Normal Terrace, local legend has it that Admiral Nelson was present at the birth of one of his children (his whereabouts at the time of war was a state secret). The Chapel is a Methodist church built against the Fenchurch to Shoeburyness railway line and was relocated to its current position in 1932. The dark wood stain of the altar rail and the cracked white Spartan walls made the perfect pallet when recording. The eyes of long dead fishermen looked out from framed photographs, a life sized cut out of John Wesley hid among the cobwebs in the downstairs room. It was intensely hot and we often had to stop for aeroplanes and trains to pass by before resuming a take. We took breaks between recording, walking Hudson the dog up the hill to the sandwich shop or allowing an elderly gentleman to play the organ for half an hour on the Thursday morning. It was a peaceful and productive time. Five songs made it into the EP:

Blood Moon

Blood Moon is an unusual song for me to write and distils a particular thought process I was having at the time. I must have written it in early 2017 or late 2016 but I recall at the time there was a mesmerising and all-pervading blood moon hanging over Southend. Everybody talked about it and it stuck in my mind for some time; I had been watching the Daniel Johnston documentary ‘The Devil and Daniel Johnston’ and I was drawn into a soup of thought about serenity and redemption. The song is one of the longest songs I have written and it seemed apt to name the EP after it. If you listen closely to the end instrumental part you will hear a train slicing across the rails just outside the chapel wall.

Frances Forlorn

My grandfather used to collect and grow different variations of rose and they sat in a bed outside his kitchen window. I was visiting one summer when he pointed out (why I can’t recall) that soil gets rose sick and you have to leave it fallow for a year to let the soil rejuvenate. That struck me as a fantastic analogy for something (I hadn’t decided what at the time) and for years I worked it into songs that never fully formed. It found its way into this attempt at a southern gothic style short story. It took us some time to get the intro working to how we wanted it and required Andy Bell, our very able producer, conducting The Froe in a singularly hilarious style that had us in stitches. My friend Lizzy O’Connor added some superb backing vocals and ‘pips’ at the end of this track. She worked really hard and brought the song to life.

Giving Up the Ghost

The Froe arrived at my flat in the late afternoon on our first day and Andy and I went to the chapel to set up and record the basic track for this song. “This will be easy” I thought. I had this song in my head and fingers and I knew it would flow quick. The experience was harrowing beyond belief; take followed take and we left the chapel that night with seven versions at least (forget the aborted attempts). Over the following days we must have recorded it another ten times, Andy coaching me through the performance as if I were an athlete. It was exhausting.

Night Driving

This song was recorded live with everyone playing together. It was a great feeling to sit on the altar surrounded by microphones with The Froe sitting in a circle in front of me. We took about five takes of this song. I nearly threw this song away when I first wrote it but I always liked Paul Ambrose’s bass line so kept it around. I’m glad I did. Emma Capp played a snappy cello part on this song.

Soft Light

The last recording we did for the session was the bass and lap steel guitar parts for ‘Soft Light’. I was all spent by this point, exhausted by the concentration of five days. I recall sitting next to Paul in the congregational seats as we played. The MagnaTone amp we used was in the small porch behind the dark wood doors. The lovely keys you can hear on this track and many of the other tracks are played by Tom Lenthall. After a few takes we packed up the kit and everyone drove to their homes in various parts of the UK. I was the last to leave, putting the seats and furniture back where we found them; I surveyed the quiet scene, felt the stillness and locked the door.

Cheers, M G x


Karine Polwart - A pocket of Wind Resistance

We are delighted to announce the release of Karine Polwart & Pippa Murphy's amazing new record, A Pocket of Wind Resistance, released 17.11.17.

A Pocket of Wind Resistance, is the studio adaptation of Karine's rave-reviewed 'Wind Resistance' show, which premiered at Edinburgh International Festival in 2016.

Pre-order now, with signed copies available in our shop!

You can catch the show in person in Belfast, Dublin and Edinburgh this autumn

We can't wait for you to hear this record!


Jon Boden - Afterglow

We are delighted to announce the release of Afterglow, the new album from Jon Boden.

Having sold over a quarter of a million records as lead singer with folk super group Bellowhead, Jon now embarks on a solo career.  Afterglow, performed live November 2017 with his 10 piece band follows on from Boden's 2009 post-apocalyptic concept-album masterpiece ‘Songs From The Floodplain’. Whereas Floodplain was largely rural in setting, Afterglow plunges the listener into the heaving chaos of a dystopian street carnival, an Orwellian mashup of Bonfire Night and Diwali. Through his unique songwriting Boden tells the story of two star-crossed lovers trying to find each other amongst a backdrop of decaying buildings, burning oil drums, home-made fireworks, tribal rioting and Bacchanalian revelry.



The Transports

We are delighted to present a short film we recently made with our friends The Transports, introducing the new production of Peter Bellamy's legendary Folk opera.

At a time when migration makes headlines daily, this tale of past migration shows how little has changed in the global movement of desperate people.

The Transports features members of The Young'uns, Bellowhead, Faustus, Nancy Kerr, Greg Russell and Matthew Crampton, the production is about to embark on a UK Tour and there's only a few tickets left so you best get buying.


The Furrow Collective Wild Hog In The Woods Animation

Beautiful animation created by Chris Cornwell, Wild Hog in the Woods comes from the forthcoming album for The Furrow Collective.

Wild Hog is released 4th November 2016 on CD, LP and DL.


The Furrow Collective Wild Hog

We’re proud to begin the Hudson Records journey with one of the UK folk scene’s most remarkable collaborations.

The Furrow Collective is a critically acclaimed English/Scottish quartet consisting of four distinctive and talented performers – Lucy Farrell (fiddle, viola, voice), Rachel Newton (harp, fiddle, voice), Emily Portman (banjo, concertina, voice) and Alasdair Roberts (guitars, voice). The group formed in 2013, drawn together by a shared love of traditional song and balladry and an open, intuitive approach to collaboration. 

Wild Hog is their wonderful follow-up to 2014 debut At Our Next Meeting. Produced by Hudson Records’ own Andy Bell and building on the success of its predecessor, Wild Hog shows a marked development in the group's sound and approach, featuring guest musicians Alex Neilson (Trembling Bells) on drums and Stevie Jones (Sound of Yell) on double bass.

Wild Hog is released 4th November 2016 on CD, LP and DL.


Welcome to Hudson Records

Our label is here for one reason; to help our favourite musicians and songwriters get their music to an audience that will love it and in so doing add a little bit to the sum of human happiness.

We aim to create and release records that demand it. We undertake to be transparent and diligent in all of our dealings. We will specialize in folk and acoustic music but there are no boundaries to our tastes; who knows what exotic destinations await! 

What we do know is that we are working in the rapidly unfolding twenty-first century – and we can’t wait to get started!


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